Just to remind the exhibition was based on visual essay, a line of narration sketched in the books and catalogs exhibited at the table. The essay was enriched by mural made by Martin Lukáč and video projection of film called W miasto / Into the city by Anna Janczyszyn courtesy Fundacja Znaki Czasu. Photos by Stan Barański
catch_up_revolution
Catch-Up Revolution is a term used by Jurgen Habermas to explain changes in post-communistic countries in the last decade of 20th century. On this blog you will find information regarding project under the same title I'm running through 2015. It's mainly based on research, conference and exhibition that all together creates an interactive platform for artists and curators from Poland, Slovakia and Czech Republic.
Sunday, 6 December 2015
some more photographies from the show
Here are some more photos from The Catch-up Revolution show that took a part in F.A.I.T gallery, Krakow.
Just to remind the exhibition was based on visual essay, a line of narration sketched in the books and catalogs exhibited at the table. The essay was enriched by mural made by Martin Lukáč and video projection of film called W miasto / Into the city by Anna Janczyszyn courtesy Fundacja Znaki Czasu. Photos by Stan Barański
Just to remind the exhibition was based on visual essay, a line of narration sketched in the books and catalogs exhibited at the table. The essay was enriched by mural made by Martin Lukáč and video projection of film called W miasto / Into the city by Anna Janczyszyn courtesy Fundacja Znaki Czasu. Photos by Stan Barański
Sunday, 29 November 2015
The Catch-Up Revolution - exhibition
The exhibition that could be consider partially a outcome of the workshops and surely an important part of the whole project was open on 23th of Nov in F.A.I.T. gallery. Check some photos from the opening. Soon more I'll published a full documentation.
F.A.I.T Gallery, November 19–30, 2015
opening: November 19, 19:00
visual essay / “W miasto”, film by Anna Janczyszyn / mural by Martin Lukáče
To account for the reality of the 1990s in the countries of the former Eastern Block, Jürgen Habermas coined the term the rectifying revolution. The very terms: “revolution,” “velvet revolution,” and the Polish notion of “transformation” still remain debatable. At the same time, they do capture the variety of ways in which particular countries reviewed their communist past, seeking their way outside the Iron Curtain. The specificity of the rectifying revolution can be found in its lack of concrete postulates or clear visions for changing reality, which characterised major revolutionary projects such as the October Revolution or the French Revolution. The goal of creating visions of a better, even utopian future was reduced to the wish to reach the living standards of the rich West, to achieve its colourful prosperity and idealised democracy. The much desired West “flooded” the neglected East with the blessing of VHS cassettes, fake shoes, cheap sunbeds and businessmen in holey socks. An exotic mix of the 1990s. Post-communist greyness tinted by the new democracies with willow-green and purple. As the Croatian sociologist Boris Buden aptly defined it: “the misery of catching up.”
The exhibition is a visual essay constructed on the basis of books and other materials, addressing the specificity of the final decade of the 20th century. It is complemented with two works that allude to the 1990s – the “liberated” Poland after the Round Table and the infamously divided Czechoslovakia. It is also a result of curating workshops that took place on November 23–24 at the Arteteka of the Voivodeship Public Library in Krakow with the participation of Hubert Gromny, Sonia Kądziołka, Magda Klimkowicz, Karina Kottová, Wiktoria Kozioł, Mateusz Okoński, Pavel Sterec, Zuzana Jakalova and others. I would like to thank all of them.
concept: Piotr Sikora
support: Magda Klimkowicz
Organised as part of the Scholarship of the Ministry of Culture and National Heritage.
F.A.I.T Gallery, November 19–30, 2015
opening: November 19, 19:00
visual essay / “W miasto”, film by Anna Janczyszyn / mural by Martin Lukáče
To account for the reality of the 1990s in the countries of the former Eastern Block, Jürgen Habermas coined the term the rectifying revolution. The very terms: “revolution,” “velvet revolution,” and the Polish notion of “transformation” still remain debatable. At the same time, they do capture the variety of ways in which particular countries reviewed their communist past, seeking their way outside the Iron Curtain. The specificity of the rectifying revolution can be found in its lack of concrete postulates or clear visions for changing reality, which characterised major revolutionary projects such as the October Revolution or the French Revolution. The goal of creating visions of a better, even utopian future was reduced to the wish to reach the living standards of the rich West, to achieve its colourful prosperity and idealised democracy. The much desired West “flooded” the neglected East with the blessing of VHS cassettes, fake shoes, cheap sunbeds and businessmen in holey socks. An exotic mix of the 1990s. Post-communist greyness tinted by the new democracies with willow-green and purple. As the Croatian sociologist Boris Buden aptly defined it: “the misery of catching up.”
The exhibition is a visual essay constructed on the basis of books and other materials, addressing the specificity of the final decade of the 20th century. It is complemented with two works that allude to the 1990s – the “liberated” Poland after the Round Table and the infamously divided Czechoslovakia. It is also a result of curating workshops that took place on November 23–24 at the Arteteka of the Voivodeship Public Library in Krakow with the participation of Hubert Gromny, Sonia Kądziołka, Magda Klimkowicz, Karina Kottová, Wiktoria Kozioł, Mateusz Okoński, Pavel Sterec, Zuzana Jakalova and others. I would like to thank all of them.
concept: Piotr Sikora
support: Magda Klimkowicz
Organised as part of the Scholarship of the Ministry of Culture and National Heritage.
fot. Magdalena Klimkowicz
Monday, 2 November 2015
after the workshops part 3
The second day of our meetings was mainly focused on discussions that took part on Saturday afternoon. We have been trying to develop several issues on the nineties seen from perspective of artists and curators that have been born at the second part of '80. The starting point for the conversation was the moment of transformation 1989 and its outcomes that had a strong impact both on visual culture and contemporary art.
Two sessions of the panel discussion were dominated by the problems such as influence of western pop-culture on Czech Republic, Poland and Slovakia, forgotten heritage of Eastern Bloc and subjectivity perceived as a way of shaping post-structural art history. As a bottom line we have established a hypothesis if the revolution or transformation that happen in '89 wasn't destructive for the cultural institutions and whether it has any other impact on art. Poland seem to be a unique example where we could observe some kind of continuity in cultural institutions. In rest of the countries breakthrough had rather negative impact. After all we have decide to continue our research on subject that - as we have decide - is still a interesting and vivid even 25 years after the end of communism.
Two sessions of the panel discussion were dominated by the problems such as influence of western pop-culture on Czech Republic, Poland and Slovakia, forgotten heritage of Eastern Bloc and subjectivity perceived as a way of shaping post-structural art history. As a bottom line we have established a hypothesis if the revolution or transformation that happen in '89 wasn't destructive for the cultural institutions and whether it has any other impact on art. Poland seem to be a unique example where we could observe some kind of continuity in cultural institutions. In rest of the countries breakthrough had rather negative impact. After all we have decide to continue our research on subject that - as we have decide - is still a interesting and vivid even 25 years after the end of communism.
Thursday, 29 October 2015
after the workshops part 2
After the lectures workshops continued in less formal atmosphere. Apparently this evening there were openings of two shows by Xavery Wolski and Hubert Gromny. Both of the artists worked on several projects as a duo however last months they have been working separately on their diploma exhibitions that happened in Art Agenda Nova and SM Dębniki. Here are so exhibition views from both of the events.
Photographies from Xavery's exhibition Pact / Walk (Pakt / Spacer) in Nova.
Xavery is defending his graduation piece.
Photographies from Hubert's exhibition Surplus / Nadmiar in SM Dębniki.
Hubert is giving guided tour through his exhibition.
Even though both Hubert and Xavery have made a lot of pieces as an artistic duo this evening I could scope massive distinction in the way they have approach their diploma shows. In Xavery's exhibition we could follow the film alike structure depicted in film storyboard. Main part of the presentation was engaged by a model of house that was resembling Alfred Hitchcock's Psychosis residence. Hubert however focused more on the social context of how contemporary art being presented. In very skillful way he had created a net of connections, examining how art is perceived from pop-culture perspective and what kind of cliches are commonly use in recognition of art .
Photographies from Xavery's exhibition Pact / Walk (Pakt / Spacer) in Nova.
Xavery is defending his graduation piece.
Photographies from Hubert's exhibition Surplus / Nadmiar in SM Dębniki.
Hubert is giving guided tour through his exhibition.
Even though both Hubert and Xavery have made a lot of pieces as an artistic duo this evening I could scope massive distinction in the way they have approach their diploma shows. In Xavery's exhibition we could follow the film alike structure depicted in film storyboard. Main part of the presentation was engaged by a model of house that was resembling Alfred Hitchcock's Psychosis residence. Hubert however focused more on the social context of how contemporary art being presented. In very skillful way he had created a net of connections, examining how art is perceived from pop-culture perspective and what kind of cliches are commonly use in recognition of art .
Wednesday, 28 October 2015
after the workshops. part 1
The last weekend in Krakow was an intense time of discussions, lectures, openings and workshops that were a part of Catch-up Revolution project. Hosting several guests from Czech Republic, Poland and Slovakia we have managed to touch most important issues connected with the main subject of the workshops - last decade of 20th century. The key word was Catch-up Revolution and led us to further conclusion about how our generation perceive Nineties.
Building map of contexts based on terms used in history and cultural studies we have been trying to develop some new approach toward the time after transformation in former eastern bloc. The workshops started with two lectures. One provided by duo Aneta Rostkowska and Kuba Woynarowski was concerning a curatorial concept of Gonzo Curating that is based on thorough differences in how we perceive act of curating through story telling.
To get more information about Gonzo Curating please find this link http://gonzocurating.blogspot.cz/ and follow https://www.facebook.com/cswzamekwawelski/?fref=ts.
The second lecture was run by Janek Trzupek who make it possible for our foreign guests to capture some knowledge about Znaki Czasu collection that is focused on art from the Vysehrad region after 1989.
To find more about collection please follow this link http://www.fundacjamuzeum.pl/
To be continued...
Building map of contexts based on terms used in history and cultural studies we have been trying to develop some new approach toward the time after transformation in former eastern bloc. The workshops started with two lectures. One provided by duo Aneta Rostkowska and Kuba Woynarowski was concerning a curatorial concept of Gonzo Curating that is based on thorough differences in how we perceive act of curating through story telling.
To get more information about Gonzo Curating please find this link http://gonzocurating.blogspot.cz/ and follow https://www.facebook.com/cswzamekwawelski/?fref=ts.
The second lecture was run by Janek Trzupek who make it possible for our foreign guests to capture some knowledge about Znaki Czasu collection that is focused on art from the Vysehrad region after 1989.
To find more about collection please follow this link http://www.fundacjamuzeum.pl/
To be continued...
Thursday, 22 October 2015
curatorial workshops
The time has come to announce curatorial workshops to came up to life as one of outcomes of my scholarship project. Find below (polish only) schedule of the workshops that will be part taking in Arteteka (Rajska 12, Krakow) weekend 23rd - 25th of October 2015.
Sunday, 11 October 2015
Somnium by Kuba Woynarowski at MeetFactory
In his art works Kuba Woynarowski follows stories that have never been told. Conspiracy theories, alternative paths of art history and mysterious plots from the modernism antecedents. The most capacious symbol of it – black square – will serve as a key for an upcoming exhibition in Kostka Gallery / MeetFactory. Inspired by first sci-fi novel – Somnium by Johannes Kepler – the exhibition will bring together several issues linking Nuremberg Constructivists from Renaissance time and the 20th century avant-garde.
Jakub Woynarowski an artist and curator, and a creator of comic books, visual essays, films, and installations. In his works, he combines visual theory and practice. He was born on 18th November 1982 in Stalowa Wola, south-eastern Poland. He lives and works in Kraków.
One of his most courageous curatorial concept is Gonzo Curating, established with a curator and theoretician Aneta Rostkowska - to find more http://gonzocurating.blogspot.cz/
Kuba and Aneta will perform a lecture during Catch-up Revolution Conference taking part in Krakow 23rd/24th of October - more information soon.
To find more about Kuba's works please check http://wernalina.blogspot.cz/
Subscribe to:
Comments (Atom)














































